Alana Frances Baer
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Alana Frances Baer
Car Wash Blues: Michael E. Smith’s Exhausted Sculptures Take a Break

Smith’s installation at MASS MoCA addresses labor, inspired by a neighboring car wash; Massachusetts Museum of Contemporary Art (MASS MoCA) In Michael E. Smith’s “The makings of you,” the residue left by creative and custodial acts produces a chorus of exhausted sculptural subjects. Inspired by and partly installed in the Best Way Car Wash, a small business …

Artforum
New York, NY
June 29, 2026

Review of The Parapraxis Film Festival

To watch psychoanalysis watching. Perwana Nazif and Hannah Zeavin make this possible within The Parapraxis Film Festival. Cinema and psychoanalysis arrived together at the turn of the 20th century. 1895 witnessed both the Lumière brothers’ first public film screening and the publication of Freud’s Studies on Hysteria. Film theory has long looked to …

Screen Slate
New York, NY
September 20, 2025

Wendy's Subway Writing Night

The end of the alphabet was once recited as X, Y, Z, and per se and, meaning and by itself is 'and.' This phrase would become slurred into "ampersand," written as &. In Old English, "and" also appeared as "ond" " and "end," which trace back through Proto-Germanic "unda" to Proto-Indo-European "en-ti" or "anti," meaning "in front of" and "facing." & the …

Wendy's Subway
Brooklyn, NY
April 10, 2025

Exhibition Text for Eve O'Shea & Hana Odson's Orpheum

Greek mythology tells us that Orpheus, master of song, descends into the underworld to retrieve Eurydice from death. Desperate to restore sense to a senseless loss, his song moves Hades and Persephone to grant her return. On the threshold of the upper world, he glances back at Eurydice, lacking blind faith that she follows. His forbidden glance destroys …

Drama Gallery
Brooklyn, NY
June 27, 2025

Review of Mungo Thomson's Time Life

Between the encyclopedia and the algorithm lies Mungo Thomson’s Time Life . The LA-based visual artist uses the titular book collection as raw material, converting the printed pages into nine short films presented in a theater-like display at Karma. Through digitization, editing, and finally animation, Thomson simulates the hypnotic hyperspeed of archival …

Screen Slate
New York, NY
April 22, 2025

Wendy's Subway Writing Night

POEM [one/eye] Can't Write: or To Write: A poem with the words of its own making [Alternate POEM] Blank Page Paralysis. Purity of Conception. yet/let… [I write] a word [I, for instance,] from which many flow. The POEM [1/I] concludes/continues. one-eyed POEM for/to: The End. again Cont. Write a poem with the words of its own making. [Alternate Prompt] Begin …

Wendy's Subway
Brooklyn, NY
April 10, 2025

Room for a Poem

again after again, it is already always. all this space in such a small room. all this room in such a small place. always after always, it is already again.

Civilization
New York, NY
February 1, 2025

Review of Mark Leckey's 3 Songs from the Liver

The source material at the center of Mark Leckey’s current exhibition at Gladstone is, in his words, “some piece of shit.” This piece of shit, a clip that Leckey found on Twitter in 2021, repeats 21 times in a video that loops across two screens around 55 times per day, five days a week, for four months straight. The ostensibly banal clip features a boy …

Screen Slate
New York, NY
January 21, 2025

Review of Guy Debord's In girum imus nocte et consumimur igni

The French theorist and filmmaker Guy Debord’s In girum imus nocte et consumimur igni ( We go round and round in the night and are consumed by fire , 1979) presents a montage of archival photographs and footage: advertisements, maps, interiors, newsreels, urban streets, and scenes from popular films. Decontextualized and seemingly innocuous images are …

Screen Slate
New York, NY
November 14, 2024

Press Release for Kevin Reinhardt at The Salon Paris

56 HENRY is pleased to present new work by Kevin Reinhardt at The Salon by NADA & The Community from Thursday, October 17th through Sunday, October 20th, 2024. A clown balances on a line, stepping towards and away from its endpoints. It looks equally like a tightrope and a drawing of a tightrope. Solidly black, like the compression of all colors, or the …

56 Henry
New York, NY
October 8, 2024

Review of Gillian Wearing's Dancing in Peckham

A woman sways and twists and turns as strangers pass by—most glance, some stare, and a few dance along with her. Gillian Wearing’s Dancing in Peckham (1994) documents the artist dancing with abandon in a train station inside a shopping center in South London. The audio consists of the echoey background noise of the train station; absent is the unknown music …

Screen Slate
New York, NY
September 30, 2024

Press Release for Kevin Reinhardt's 6

56 HENRY is pleased to present 6, an exhibition of new work by Kevin Reinhardt on view from September 4 through October 27, 2024, and Reinhardt’s second with 56 HENRY. Recollection is a discarded garment which beautiful as it may be, does not fit, for one has outgrown it. Repetition is an imperishable garment, which fits snugly and comfortably, neither too …

56 Henry
New York, NY
September 4, 2024

Press Release for Arthur Wechsler's Familiars

Cruise Control Gallery presents Familiars , the debut solo exhibition of Bay Area-born, Los Angeles-based painter Arthur Wechsler. The artist conducts an epistemic experiment in ten errant images, set astray from their referents in the strong current of familiarity. Familiars is a record of memory’s work, the mutually constitutive faculties of keeping and …

Cruise Control Gallery
Cambria, CA
June 8, 2024

Wendy's Subway Writing Night

To move to action. To cause, to bring about. A movement, an action, a feeling. Immediate, done without delay. To set forward, in(to) motion. From promere, “to bring forth.” Pro, “forward,” with emere “to take, distribute.” But also prompte, as in “readiness.” A prompt can be a noun or a verb or an adjective. Anything and everything could be or is a prompt, …

Wendy's Subway
Brooklyn, NY
October 23, 2023

Review of Basim Magdy's Flickers of Utopia

A dent, a gouge, a slight hollow. The trace of impact, the evidence of action. In The Dent (2014), by the Egyptian-born, Swiss-based artist Basim Magdy, a depression on the façade of a white-gray steel structure reappears throughout. The film, which is set to a non-lyrical, melodic score, features subtitles that at one point read: “it all started with a …

Screen Slate
New York, NY
January 30, 2024

Conclusion: Walking Backwards into a Room

The challenge of titling this book is the challenge of titling anything: you want the name to fit the thing, without reducing the thing. This was especially the case after a year of collaboration and correspondence. We considered “wanderthoughts,” relating it to the walks we took while calling each other from far away. There was “walking thoughts”—walking …

Published in Walking Backwards into a Room
May 2023

Artist Statement: Speaking of the Ineffable

When I learned to sew, the first thing I was told was that thread must be stronger than what it holds together. When visiting a memory, I dust its surface over with the present moment. I draw myself further away from the memory itself, and closer to my preceding encounters with it. In this show, I explore the fragmentation of memory committed by remembrance …

Artist Statement accompanying solo exhibition, Speaking of the Ineffable.

List Art Center, Providence, RI.
January 2022.

Presence, Play, and Postmodernism: Rethinking Zoom

Talking on the phone, I multitask—flip through an old journal, lint roll a sweater, brew coffee, butter a bagel. I do all of this while my attention appears unbroken to the receiving end. Phone calls are illusory in so far as I imagine attention where I do not confer it, presume the person on the other end to not similarly flip through journals, fold …

Published in The College Hill Independent
November 2020

"To Write as if Already Dead" by Kate Zambreno: The Body of the Author

Roland Barthes’ 1967 essay “The Death of the Author” saw a challenge, two years later, with Michel Foucault’s lecture “What Is an Author?” Kate Zambreno abbreviates the distinction between these two works: “Barthes wants to kill the author, Foucault wants the author to take on the appearance of a dead man.” Zambreno’s two-part book, To Write as If Already …

Published by ZYZZYVA Magazine
June 2021

"Why Didn't You Just Do What You Were Told?" by Jenny Diski: Seeing, Being, Naming

Jenny Diski’s posthumous collection, Why Didn’t You Just Do What You Were Told? (448 pages; Bloomsbury), consists of thirty-three essays, selected from the over two hundred the prolific British author wrote for the London Review of Books up until her death in 2016 at 68. Opening with a lighthearted account of a breakup and concluding with a humble …

Published by ZYZZYVA Magazine
June 2021

La Pipopipette

Seated atop a wicker desk chair inside a white box of a room, ten feet by ten feet with curtains all around, Dot smiles gently, thinking of the difference between a box and a cube. With curtains closing in on her quadrilaterally, the two corners of her mouth advance further towards the ceiling. Her smile rests beneath a square of cloth, itself protecting …

Published in Expat Press
November 2023

Published in Volume 1
May 2022

Interview with Kelly Cressio-Moeller

Kelly Cressio-Moeller’s debut poetry collection, Shade of Blue Trees (79 pages; Two Sylvias Press), consists of thirty-seven poems, broken into four parts. Cressio-Moeller has long established herself as both a visual artist and writer, with her widely published poetry earning nominations for the Pushcart Prize, Best New Poets, and Best of the Net awards. …

Published in ZYZZYVA Magazine
August 2021

Palimpsest Painting

Paint, molding paste, tape, needle, thread, and pigment on stretched canvas
72 x 48 x 2 in
2022


Exhibited in Speaking of the Ineffable
January 2022

Car Wash Blues: Michael E. Smith’s Exhausted Sculptures Take a Break

Smith’s installation at MASS MoCA addresses labor, inspired by a neighboring car wash; Massachusetts Museum of Contemporary Art (MASS MoCA) In Michael E. Smith’s “The makings of you,” the residue left by creative and custodial acts produces a chorus of exhausted sculptural subjects. Inspired by and partly installed in the Best Way Car Wash, a small business …
Review of The Parapraxis Film Festival

To watch psychoanalysis watching. Perwana Nazif and Hannah Zeavin make this possible within The Parapraxis Film Festival. Cinema and psychoanalysis arrived together at the turn of the 20th century. 1895 witnessed both the Lumière brothers’ first public film screening and the publication of Freud’s Studies on Hysteria. Film theory has long looked to …
Wendy's Subway Writing Night

The end of the alphabet was once recited as X, Y, Z, and per se and, meaning and by itself is 'and.' This phrase would become slurred into "ampersand," written as &. In Old English, "and" also appeared as "ond" " and "end," which trace back through Proto-Germanic "unda" to Proto-Indo-European "en-ti" or "anti," meaning "in front of" and "facing." & the …
Exhibition Text for Eve O'Shea & Hana Odson's Orpheum

Greek mythology tells us that Orpheus, master of song, descends into the underworld to retrieve Eurydice from death. Desperate to restore sense to a senseless loss, his song moves Hades and Persephone to grant her return. On the threshold of the upper world, he glances back at Eurydice, lacking blind faith that she follows. His forbidden glance destroys …
Review of Mungo Thomson's Time Life

Between the encyclopedia and the algorithm lies Mungo Thomson’s Time Life . The LA-based visual artist uses the titular book collection as raw material, converting the printed pages into nine short films presented in a theater-like display at Karma. Through digitization, editing, and finally animation, Thomson simulates the hypnotic hyperspeed of archival …
Wendy's Subway Writing Night

POEM [one/eye] Can't Write: or To Write: A poem with the words of its own making [Alternate POEM] Blank Page Paralysis. Purity of Conception. yet/let… [I write] a word [I, for instance,] from which many flow. The POEM [1/I] concludes/continues. one-eyed POEM for/to: The End. again Cont. Write a poem with the words of its own making. [Alternate Prompt] Begin …
Room for a Poem

again after again, it is already always. all this space in such a small room. all this room in such a small place. always after always, it is already again.
Review of Mark Leckey's 3 Songs from the Liver

The source material at the center of Mark Leckey’s current exhibition at Gladstone is, in his words, “some piece of shit.” This piece of shit, a clip that Leckey found on Twitter in 2021, repeats 21 times in a video that loops across two screens around 55 times per day, five days a week, for four months straight. The ostensibly banal clip features a boy …
Review of Guy Debord's In girum imus nocte et consumimur igni

The French theorist and filmmaker Guy Debord’s In girum imus nocte et consumimur igni ( We go round and round in the night and are consumed by fire , 1979) presents a montage of archival photographs and footage: advertisements, maps, interiors, newsreels, urban streets, and scenes from popular films. Decontextualized and seemingly innocuous images are …
Press Release for Kevin Reinhardt at The Salon Paris

56 HENRY is pleased to present new work by Kevin Reinhardt at The Salon by NADA & The Community from Thursday, October 17th through Sunday, October 20th, 2024. A clown balances on a line, stepping towards and away from its endpoints. It looks equally like a tightrope and a drawing of a tightrope. Solidly black, like the compression of all colors, or the …
Review of Gillian Wearing's Dancing in Peckham

A woman sways and twists and turns as strangers pass by—most glance, some stare, and a few dance along with her. Gillian Wearing’s Dancing in Peckham (1994) documents the artist dancing with abandon in a train station inside a shopping center in South London. The audio consists of the echoey background noise of the train station; absent is the unknown music …
Press Release for Kevin Reinhardt's 6

56 HENRY is pleased to present 6, an exhibition of new work by Kevin Reinhardt on view from September 4 through October 27, 2024, and Reinhardt’s second with 56 HENRY. Recollection is a discarded garment which beautiful as it may be, does not fit, for one has outgrown it. Repetition is an imperishable garment, which fits snugly and comfortably, neither too …
Press Release for Arthur Wechsler's Familiars

Cruise Control Gallery presents Familiars , the debut solo exhibition of Bay Area-born, Los Angeles-based painter Arthur Wechsler. The artist conducts an epistemic experiment in ten errant images, set astray from their referents in the strong current of familiarity. Familiars is a record of memory’s work, the mutually constitutive faculties of keeping and …
Wendy's Subway Writing Night

To move to action. To cause, to bring about. A movement, an action, a feeling. Immediate, done without delay. To set forward, in(to) motion. From promere, “to bring forth.” Pro, “forward,” with emere “to take, distribute.” But also prompte, as in “readiness.” A prompt can be a noun or a verb or an adjective. Anything and everything could be or is a prompt, …
Review of Basim Magdy's Flickers of Utopia

A dent, a gouge, a slight hollow. The trace of impact, the evidence of action. In The Dent (2014), by the Egyptian-born, Swiss-based artist Basim Magdy, a depression on the façade of a white-gray steel structure reappears throughout. The film, which is set to a non-lyrical, melodic score, features subtitles that at one point read: “it all started with a …
Conclusion: Walking Backwards into a Room

The challenge of titling this book is the challenge of titling anything: you want the name to fit the thing, without reducing the thing. This was especially the case after a year of collaboration and correspondence. We considered “wanderthoughts,” relating it to the walks we took while calling each other from far away. There was “walking thoughts”—walking …
Artist Statement: Speaking of the Ineffable

When I learned to sew, the first thing I was told was that thread must be stronger than what it holds together. When visiting a memory, I dust its surface over with the present moment. I draw myself further away from the memory itself, and closer to my preceding encounters with it. In this show, I explore the fragmentation of memory committed by remembrance …
Presence, Play, and Postmodernism: Rethinking Zoom

Talking on the phone, I multitask—flip through an old journal, lint roll a sweater, brew coffee, butter a bagel. I do all of this while my attention appears unbroken to the receiving end. Phone calls are illusory in so far as I imagine attention where I do not confer it, presume the person on the other end to not similarly flip through journals, fold …
"To Write as if Already Dead" by Kate Zambreno: The Body of the Author

Roland Barthes’ 1967 essay “The Death of the Author” saw a challenge, two years later, with Michel Foucault’s lecture “What Is an Author?” Kate Zambreno abbreviates the distinction between these two works: “Barthes wants to kill the author, Foucault wants the author to take on the appearance of a dead man.” Zambreno’s two-part book, To Write as If Already …
"Why Didn't You Just Do What You Were Told?" by Jenny Diski: Seeing, Being, Naming

Jenny Diski’s posthumous collection, Why Didn’t You Just Do What You Were Told? (448 pages; Bloomsbury), consists of thirty-three essays, selected from the over two hundred the prolific British author wrote for the London Review of Books up until her death in 2016 at 68. Opening with a lighthearted account of a breakup and concluding with a humble …
La Pipopipette

Seated atop a wicker desk chair inside a white box of a room, ten feet by ten feet with curtains all around, Dot smiles gently, thinking of the difference between a box and a cube. With curtains closing in on her quadrilaterally, the two corners of her mouth advance further towards the ceiling. Her smile rests beneath a square of cloth, itself protecting …
Interview with Kelly Cressio-Moeller

Kelly Cressio-Moeller’s debut poetry collection, Shade of Blue Trees (79 pages; Two Sylvias Press), consists of thirty-seven poems, broken into four parts. Cressio-Moeller has long established herself as both a visual artist and writer, with her widely published poetry earning nominations for the Pushcart Prize, Best New Poets, and Best of the Net awards. …
Palimpsest Painting